A Thought Process: From Questions to ID Theory

I. a thought process by Ographer Ocean Duran choreographer to the stars! www.oceanduran.com copyright 2025

This section kicks off our thought process by addressin' some fundamental questions and their proposed answers, settin' the stage for deeper exploration.

Questions & Answers (from the end of the document, Page 67-72)

II. Proverbs~N2N~Provision (Pages 59-66)

Now, we're movin' into the "Proverbs~N2N~Provision" section, which dives deeper into how our actions, beliefs, and understanding of God's will shape our reality. It's all about connectin' the dots between our inner world and the outer one, see?

III. OceansOgraphy. By the Numbers! (Page 15-18)

This section, "OceansOgraphy. By the Numbers!", introduces a more scientific approach to understanding, connectin' human psychology and Albert Einstein's theories of relativity to biblical narratives. It's all about findin' patterns and structures that reveal deeper truths.

Introduction to OceansOntology and Scientific Approach

"This is an OceansOntology to a more scientific approach. Again, like all that I have researched and come to know is what us as humans have come to know through research and devolvement of System and Approach. What we know through gaining wisdom in society by scholars and geniuses, is overlooked on HOW we are able to gain. With our heart and soul being poured out into our scientific studies, we tend to over look the true source. Endless nights, and thoughts that continue to direct our attention to answers that seem to just magically appear to us. We know as humans that seeing is believing, so why don't you look at what it is that you seemed to "answer". Then acknowledge, that the answer you didn't know before, came to you because Heaven knows the Spirit by which we foil and pour out our efforts in." (Page 15)

The Bible as a Structured Pattern

"As I was reading the bible one night before I went to bed, I began to grow tired and so I started to read the bible online. When I began to notice another pattern by "differences", the bible online had each verse of scripture numbered per line. This began to peek my curiosity because I began noficing the "structure" of each of the verses through repetition. So I started to take note on who was telling who, and what was being carried out in instruction and overall how the Point of View of each verse was able to show an actual structured pattern. I tested my theories by randomly picking verses and applying my Point of View theory to each. Surprisingly enough, without hesitation in my Faith, I knew in my heart that God, and through His Will, I was able to place in "likeness", and define the physics to the first field that "Introduces" Psychology by defining it's basic nature of studies. What helped me see the pattern and stages" (Page 15)

Connection to Psychology and Parables

"When I was taking notes on the structure of each line of verse, I was able to theorize up to 22 lines. This stopped at 22 because I ran out of room on the paper! However, I still continued my research on another page in my notes. A couple weeks later, when I found my "Quick Study" Guide to Psychology, I remembered that I was taking notes on the psychology or "Point of View" (known by OceansOntology) utilizing a per-verse approach from the bible. Naturally I counted the subjects and topics in the different fields of the psychology reference and found a match. The same methodology to placing the "In the beginning" Scriptures to my teachings, was the same way I was shown this spiritual science! Heather, a good friend of mine can validate my experience because she too was amazed at how a verse from the bible could be patterned in such." (Page 15)

"Before I realized the anatomy of scientific structuring in accordance to the pattern and Point of Views of the bible, I was motivated to write. I wrote a Poem from beginning to end in one night that, from my Muse Point of View, I described how a parable, can take on a meaning of more than the words we see. Knowing, with the Spirit that lives within us, I wanted to express how the words of the bible show just AS WELL, the spirits nature in relation to parables." (Page 15)

"When we read context of any book out there, we know that we can visualize the character's nature of "being" by reading what motivates the character in the book. If you really think about it, it's through a few simple descriptive words that explain the emotional and true character, or "spirit", that the author wants us to comprehend. Description of it's spiritual nature, by which the author can accommodate the reader's visual, (in almost ALL cases) reflects personal experience. We can seem to paint a picture where 1000 words were not needed BECAUSE of the relation to our own experiences. Truth is relative, therefore, the reality of our emotional involvement requires spiritual relation." (Page 15)

Numerical and Categorical Correspondences

Table: Books of the Bible and Definitions (Page 16-17)

Definition
1 Genesis (First Five Books) Equivalent or parallel, first Definition
(First Day AE. Physical meaning of Geometrical Propositions.)
2 Exodus (First Five Books) Understanding, Lesson Goals Describe, understand, predict and control (or modify) behavior/mental process
(Second Day)
3 Leviticus (First Five Books) Trinity, third day, knowledge, view Psychology as a science...
(Third Day)
4 Numbers (First Five Books) Faith (our) another view. elements, favor, gift 1. Descriptive studies- describe but not explain
(Fourth Day)
5 Deuteronomy (First Five Books) Fighten, battle, on the A. Case History-description . of one individual.
6 Joshua (History Books) Crossing of, grouping B. Observations. 1 Naturalistic. 2 Laboratory. AE. The Theorem of the addition of velocities employed in classical
7 Judges (History Books) Equivalent, is even Naturalistic. Natural environment. AE. The Apparent Incompatibility of the Law of Propagation of light
8 Ruth (History Books) Lesson, taught, understood II Laboratory. Setting controlled by researcher
9 1 Samuel (History Books) Within, acceptance C. Surveys-questionnaires and interviews
10 2 Samuel (History Books) After crossing, issues of D. Tests. 1 Reliability. 2 Validity.
11 1 Kings (History Books) One on one, equivalent I Reliability. - measures of chance/ fluctuations verses actual in difference.
12 2 Kings (History Books) Knowledge, 1+2=3, equiv to trinity, understanding II Validity - establishing a measure to validate the particular criterion
13 1 Chronicles (History Books) Communication. understanding, acknowledging 2. Correlational Studies. -Strength of the relationships between variables, does not show causation.
(Fifth Day)
14 2 Chronicles (History Books) Parables, in-likeness 3. Experimental. - researcher controls variable(s) to discover it's effect on other variables
(Sixth Day)
15 Ezra (History Books) Faith in Gods gifts (senses) helps understand A. Independent Variable. - manipulated/controlled by researcher AE. General Results of the Theory
16 Nehemiah (History Books) God upon the matter after B. Dependant Variable. measured by researcher (data)
17 Esther (History Books) Parallel, even, compared after crossing, peace, understanding C. Experimental and control groups. only experimental groups exposed to independent variable, otherwise treated the same.
18 Job (Books of Poetry) Electro Instruments Understanding teaching after crossing D. change in dependant variable caused by independent variable, since all else remained the same
19 Psalms (Books of Poetry) Aero Instruments Accepting Gods Word after crossing E. Confounding Variable. - an observed effect that may be due to an intervening third variable between dependent and independent variables. Systematically controlled or if possible, eliminated, otherwise obtained results are invalidated.
20 Proverbs (Books of Poetry) Chord Instruments After cross dubbed fighting the understanding BETWEEN crossing F. Inferred Variable - a non-observable variable that is inferred as the mediator between two observed events. It is frequently difficult to avoid circular explanations In positioning an inferred variable.
G. Subject Variable a condition that is part of the subject's make-up and cannot be assigned randomly; ex.. Sex, hair, height, color etc...causal conclusions cannot be derived from subject variable experiments.
21 Ecclesiastes (Books of Poetry) Membrano Instruments Gods commandment, knowledge of Gods commandment
22 Song of Songs (Books of Poetry) Idio Instruments Principle to Principle from opposition or what opposes. H. Non- Subject Variable - a characteristic that is not part of a subject's make-up, and thus can be randomly assigned e.g., whether the subject received a certain drug or placebo.

The MUSE-IC BIBLE (Seventh Day) - continued from Song of Songs (Page 18)

12 Books The MUSE-IC BIBLE (Seventh Day) -continued from Song of Songs
Melody - series of individual pitches one occurring after another in order that the composite order of pitches constitutes a recognizable entity. Melody is the horizontal aspect of Music
First 5 Books
Beginnings of the Jewish race, culture, genre, (Israelites) Gods People and the Family of Abraham
Perception -
Organixation and interpretation of sensations.
1. World seen as constant, although the sensations may change.
2. Needs, beliefs, emotions and expectations all influence perception.
Rhythm - Sonic Action in time. Or the arrangement of directional sonic patterns or tone lengths that fall on or between a ""beat"" History and the Movement of Israel
Skin Senses
1. Touch (pressure), warmth, cold and pain
Meter - The basic scheme of Note values which remain Unaltered throughout a composition or a section of a composition which serves as a basic skeleton for rhythm and represented in notation as a fraction. $4/4$ 3/4 etc
5 Books (1/3) of Old Testament
Tempo -Rate of speed of a composition of a section of a composition by the number of BPM. Metronome markings
60 BPM = slow 120 BPM= fast
17 Books
Written in poetry Form. Experiences in life and with God. These books
concentrate on questions about pain, God, life, and love.
Taste -
Four basic tastes -salty, sour, bitter, sweet, each associated with different receptors or taste
A prophet is someone who speaks for God. Through some prophets did predict future events, their main role was to call God's people back to him.
1. Receptors in mucous membrane of nasal passage
Smell
Harmony - Procedure by which chords of music are constructed and (2) the system by which one chord follows another chord in time. To make harmony distinct from ""interval"", harmony is the simultaneous occurance of 3 or more tones
New Testament
4 Books
Gives a complete picture of Jesus' life and teaching. Views
different focus and different audiences. Crucifixion and the
Resurrection. The Gospels.
The EAR.
1. Outer ear collects sound waves.
2. Middle ear waves strike eardrum which passes them to 3
tiny bones which intensify the force of the vibrations.
3. Inner Ear. - contains receptro cells located within the cochlea which
initiate nerve impulses which travel to the brain
Timbre - Quality of sound that distinguishes it from other sounds of the same pitch and volumes. Tone color is determined by loudness of individual harmonics of partials within a single tone. Tells about following Jesus' after leaving earth.
Sensation -
Awareness of physical changes
Instruments - Music instruments are the ""sound colors"" of Music which are perceived by the ear, analogous to colors in the color spectrum which are perceived by the eye.
13 Letters
Instructions to the young church by apostles to set down their
beliefs and messages in a series of letters. Leadership to advance
through beliefs.
The EYE
1. Light enters through
2 Lens focuses light
3. Retina at the back of the eyeball
A. Rods -respond to dim light
B. Cunes respond to color
C. Fovea center of retina, contains on cones, site where vision is sharpest
Dynamics Low Graduations of amplitude (loudness and softness in music) uses symbols to represent soft to loud. PP, P, MP, MF, F, FF
9 Other Letters
Measuring Sensation
1. Absolute thresholds - detection of signal 50 percent of the time.
2 Difference in thresholds (jnd just noticeable difference)
A. Difference in sensation detectable 50 percent of time.
B. Weber's Law o change necessary for jnd is a proportion of original
stimulas.

IV. Special And General Principle of Relativity (Pages 19-25)

This part connects the ideas of parables and human understanding to Einstein's theories of relativity, showin' how our perception and acceptance of reality are key.

Parables and Point of View (Page 19)

Special And General Principle of Relativity
1 DO YOU KNOW WHAT WE ARE HERE TO DO OR EVEN MORE SO HAVE WE MADE A PURPOSE FOR OURSELVES? (THINK WISELY). 2 WE THINK ABOUT WHOMEVER, AND WHAT IT IS WE HAVE DONE FOR MEANING TO ""GO ON"" AND IN LIKENESS SHOWS US AS WE FIGHT FOR SURVIVAL ALL DAY LONG! 3 WE FORGET MIGHTY WORDS AND MORE OFTEN THEN NOT, IT'S MEANING TOWARDS OUR OWN WRONG, SO THAT ACTUAL WORD WE ARE SINGING MOVES ALONG TO DESCRIBE IN ALL TONGUES, THE ""WAY~WORD"" SONG WE ALL SEEM TO HAVE SUNG. Parables, are of the same effect, by first reading words that allow us to visualize the situations or events. We each have our own ""Point of View"" at this first stage to understanding how the ""Point of View"" works as a science in relation to Psychology.
1 COMMON UNDERSTANDING
Gravitational Field
2 THERE'S A WORD AND IT'S MEANING AND YES, TWO WORDS MAKE A SENTENCE.
2 BUT VERY FEW WORDS ARE OH SO PRECIOUS. 3 SO IT WOULD SEEM!
Equality of inertial and gravitational mass as an argument for the general postulate of relativity
Seeing is believing, the harsh reality ""TYPE"" themed being.
Then, some of us dwell deeper into the matter by utilizing a more personal approach in which our own experience proves some sort of a relation.
2 Differences BY common understanding
Without thinking aloud, to express or share our experience, relative to the words of a parable, we tend to gather all the pieces we need to make something like that of a character in a book or story. Introduction, plot, climax, moral and even what it is, that you learned through experience and can teach or help others who can relate to the same parable. This is when our memory can lead us back to an emotional being called the ""Spirit"" to help us
recall the entire event. We know that the Spirit was with us because we can remember our emotional self that will contrast the logistical side to our human nature validating the presence of our spirit.
3 Seeing is believing
In what respects are the foundations of classical mechanics and of the special theory of relativity unsatisfactory?
4 WHAT WE KNOW IN OUR MINDS WE CAN HEAR WITH OUR SIGHT.
2 WHAT WE KNOW BY INSIGHT OUR HEARTS FIGHT OR TAKE FLIGHT. 3 SO ALWAYS IT SEEMS!
Knowing that you can recall the different Points of Views of that event show that there IS more than what you perceive yourself in the moment. Our natural thinking process
comprises (on the most part) our intellectual thoughts that we know are influential by either environment or practices. But what we recall through our memory is always the more rational yet intuitive moments. This verifies how something with ""Spirit"" HAS it's social nature to mean; ""being in spirit"".
4 MAKING SENSE of what is commonly understood.

Inferences from the General Theory of Relativity (Page 20)

A few inferences from the general theory of relativity
5 But a WORD without meaning, is only an "EMPTY" themed being.
Behavior of clocks and measuring rods on a rotating body of reference.
WHAT IS SAID AND DONE HAS MEANING OF
MANY MANY WORDS THAT DEFINE WORDS!
2 THAT IN ITSELF IS AN ANSWER, A BUNCH OF
THEMES, A DEFINITION TO MANY WITHOUT;
3 THEE SPOKEN WORD.
What holds us back from expressing ourselves is everything
BUT our emotions. Our intellect and logics of reason shy
away from what it is that we want to express. We know also
that to express something is done from an emotional Point
of View. This line of crossing is what hinders many from truly
understanding how a parable works. Our intellect sees the
words, but only by the spirit can we come to understand
something, in which we can't seem to explain what the
words of a parable say. This action of lack in
communicative expression then becomes all the
difference in the world and yet is the "unspoken" talent
that drives the creative Muse to produce.
5 Un-acceptance of your reality to the common.
Understanding that in some cases where our weakness is a
weakness and in other areas we find strength in
replacement to that same weakness, demonstrates the
parable. It's when we can find the "wisdom of strength"
by accepting both areas as WHO we are and what we
HAVE become. Wisdom of Strength bridges the crossing
point to our natural and spiritual by again, utilizing the
"Point of View". At this stage of thinking, we use more of
the spiritual and less of the logical and just the same, less of
the spiritual and more of the logical. In either nature using
both Points of View, we take on "several views" to look at
one view. Whereas before, we tend to lean more to the
"seeing is believing" concept which accommodates only
one strong Point of View.
6 Potential can be gained by accepting more types of
the commons.

Euclidean and non-Euclidean continuum (Page 21)

Euclidean and non-Euclidean continuum The understanding of what we know to what Truth is, is
7 (183) ONE WORD CAN THEME A BOOK BY
BELIEVING ONE'S THEME WITHOUT A SECOND LOOK. 2
TRUTH BE TOLD THAT A SONG WITHOUT THE HOOK IS
SAYING YES THAT YOU CAN BE SHOOK BY A STRENGTH,
WEAKNESS OVERTOOK!
3 YOUR WORD IS AS IT'S ALWAYS BEEN! 4 FOR
""Truth is Relative"". We know something is true in what IT
may be because we can put into relation a ""relativity"" to
it's existence. With nothing to relate to an object, we can't
seem to explain it's existence to be of the truth (if stated in
words) or within the laws of physics, have cause to truly
exist.
YOU ARE LIKE AN EARTHQUAKE, AWAKE!
5 A SCALE OF 1 TO 10. 6 MEASURED, POLISHED,
STURDY, REFINED TO PERFECTION!
7 A ""MELODY"" IN TUNE FOR REFLECTION, THE
CREATOR DIVINED ANOTHER WORD IN ""AFFECTION"".
8 SING NOW!! 9 EXPERIENCE IS NOW WRITTEN
AND DO NOT CONFINE BY ANY MEANS!
10 SO IT DEFINES ""TROUBLED MIND"" AS DOUBT IN
HIS WORD, KNOWN BY LABELS AND THEMES.
11 BECAUSE BEFORE THIS POINT, THIS SECTION
OR PART CONNECTION YOU READ AND WRITE, IS THE
BEGINNING WE FIND WHAT DEFINES THE MINDS
LIKENESS IN KIND. 12 A BLANK SLATE YOU CREATE,
SHOWING HIS WORD, YOUR PAST! 13 Above all, above
time, soon or late, that you considered once as many words
defining you as His Word for you, as you, a meaning with
limited life living it's own Fate.
Something as simple as a parable, can be considered in
likeness, to a DNA strand of a ""society"" that cripples it's
population from being one physical body mass. The
population can be 1000 people, but with this DNA strand
within that society, acts like a wall that blocks the
population from merging together. However, at the same
time, looking more into this particular subject, we can see
how the future of it's growth, AS a population of individuals
help it to evolve.
7 WHO YOU ARE can be seen by your definitions in
environment. You environment, shows contrasts to
what you define as you.
Guassian Co-ordinates
(165) SEARCH YOUR PAST NOT FOR THAT WHICH
CAN CONTRAST, BUT SEARCH FOR THE HINTS, TIPS,
AND DIRECTION THAT CAN COMPLETE THIS PUZZLES
PIECE CONNECTION.
8
2 WHAT WE KNOW IS WHAT WE CAN MAKE OF
THE EQUATION, COMPRISED IN REVERSE THAT ANSWER
IS MADE UP OF MANY PARTS CALLED CREATION. 3 From
Him as a Hymn to you a Salutation!
4 SIMPLE, YET EFFECTIVE RELATIVE IS THE
OBJECTIVE. 5 WHAT IS EQUAL TO ONE IS NOT
EQUIVALENT IN SUM FOR OR BY SOME. 6 THIS IS
TAUGHT IN BOOKS TO BE SAID AS; EVEN IS EVEN BUT
ONE IS PREFIXED, MEANING BEGINNING WITH ""UN""
FOR OR BY ONE.
7 WE WANT THIS TO BE A PUZZLE THAT CAN
MAKE SENSE TO TOUCH, SIGHT, AND SOUND, BUT
TRULY WHAT HOLDS US BACK ARE SENSES NOT
FOUND. 8 THESE SAME SENSES WE HAVE EXPLAINED;
When we think of how a parable can prove that everyone
in this world is unique and different, we tackle a solution on
how we live by the spirit. What we can't explain about
Truth through Relativity, is because when we utilize the
""parable as a DNA strand"", we can see how ""Relativity""
becomes the wall itself separating the populace. At the
same time ""Relativity"", by the same mechanics, seem to
keep the society as a whole, linked together. When we
reflect on society our individuality, we strengthen it through
what we teach. So it would seem, when we hold back who
we are, our teachings of who we are (influential nature)
are found as a contrasting element to evolve. Therefore
this wall which is also used in conjunction to ""link"", prove
that a ""parable"" (Points of Views), can bring together
society unwillingly, yet also bring society together willingly.
However, the ""spirit"" of which it's nature is to motivate, may
be how far or how much a parable can be seen in light, to
different views.
FROM THE BIRDS WIDE OPEN SKY TO SEEDLINGS IN
SEASON THAT USES EARTH'S GROUND. 9 And from these
same grounds questions still cry!
8 Knowing how you define a contrast in the
environment, will either be positive or negative.
Application is inevitable.

Space-time continuum of the Special theory of relativity (Page 22)

Space-time continuum of the Special theory of relativity considered as a Euclidean continuum What we see as our own strength, opens a window for one to view as a weakness. Unless we know our strength to be proved by what is relative to it in being truth, by our human nature we have come to rationalize ourselves as being less than or greater than. This as we know, is of the logistical and intellectual thought process that we have come to practice. We overlook the value of what it is that we have to offer, and at times come to forget our experiences that others would find invaluable. Even more often, we ""resist""
9 (184) SO AM I A SONG, A THEME OR A BOOK OF
CLEVER WORDS AND PHRASES? 2 YES, EVEN THE WIND
IS HIS WORD FOR YOU WHICH YOUR PAST CAN SHOW,
IS MADE UP OF AND COMPRISES. 3 Search the Praises!
4 SO AM I WRONG, DO I SIN, SHOULD REDIRECT
TO BE GOOD, AS IN ""HOLY""? 5 NO! 6 DOES A WORD
THAT SOUNDS ALIKE FOR IF IT NOT FOR THE SPELLING
DEFINE ""HOLY"" AS MEANING ""WHOLEY""? 7 now think!
8 AS DEFINITION DEFINES, OUR SINFUL PEER-
PRESSURE CONFINES. 9 AS HIS WORD HAS A
MEANING, YOUR LIFE, HIS WORKS, ALIVE BY HIS
BREATHING! 10 FROM NOTHING TO SOMETHING IS YOU,
HIS WORD, WELL SPOKEN TO LISTEN!
11 As we write what He's reading! 12 Already it's written,
for God gave you life and His Word keeps on feeding.
13 His WORD IS LIFE AND DESCRIBES NO LIMITS
THAT OF GOOD NEWS, THE GOSPEL BORN FROM ALL
LIGHT!
14 IN THE DARKNESS WITH THE LITTLE LIGHT THAT
SHINES!
who we are, in which nothing in the world is more valued
than what is experienced. This experience, not only helps us
understand parables, but it allows us to teach and
strengthen our environment, which in turn, pushes us to
better ourselves. Resistance is a way for those ""willing"" to
show a contrasting polarity to what defines an
""acceptance"". Those ""willing"" towards a more of an
""accepting"" environment, start by ""accepting"" ones self.
These are the ""spirits"" by which society can measure it's
future with and at the same time our own spirit measures
our logic and intellect with, against our own society in
hopes that we practice ""acceptance"".
15 HE READS TO REFINE WORDS YOU WROTE
TOGETHER, THE PART ABOUT HOW ""SINS CONFINE"".
9 How you read the Laws of concept, principle and
morale to what you are.

Space-time continuum of the general theory of relativity (Page 23)

Space-time continuum of the general theory of relativity We know through the ""basics"" of how memory works in
is not a Euclidean continuum relation to our Spirit because we can recall the lesser of the
humanistic natures. However, when we go to work, or go
10 (225) NOW WHEN HE TELLS US THE SUN, MOON,
STARS AND DAY BREAK IN ALL LIGHT IS BORN, HE
DESCRIBES YOU TO TELL YOU YOUR THEMED WORLD IS
AS IT CAN BE THROUGH HUMAN HANDS LEFT TO BE
TORN. 2 BUT THROUGH JESUS CHRIST CAN YOU SEE
THE FATHER, FROM WHENCE YOU WERE FORMED.
3 SO THEE CREATOR SPEAKS THROUGH ALL OF
HIS WORDS TO TELL YOU YOUR STORY YOU WANTED TO
KNOW, YOUR LIFE, MEANING AND DEFINITION HAS
BEEN AS IT'S BEEN FROM THE DAYS OF OLD FOR YOU
AND GOD TO MOLD.
4 WHAT YOU ARE IS LIMITED TO WHAT YOU KNOW,
WHAT YOU KNOW DO NOT LET ANY BE LET GO!
5 ABOVE ALL LAW, HIS WORD IS TRUTH FAILING
THE FALL, HE HAS WRITTEN A ""PLAY"" FOR THE CAST
OF YOUR PAST, THE STAR OF THE SHOW!
on with our daily repetition, we become more susceptible
in opposition to a memory that arouses our emotions.
Although, with age, we came to realize that ""life is to short""
to not enjoy what it is that we have worked so hard to
become, and then life does become short because of the
spirit that makes you think the opposite to what motivated
you growing up to accomplish yourself now. The practice
of ""resistance"" starts to become more natural and you life
passes you by. Those who know that when an opportunity
to ""live"" by ""accepting"" your environment comes about,
act by involving themselves and therefore strengthening
those around you. By not resisting the simple changes, and
by not living with regret, your spirit takes hold of you with
your own intellect and logistical reasoning and you find
yourself living life to the fullest.
6 HE CAN SPEAK AND IT CAN BE CREATED, WHAT
IS WRITTEN HAS BEEN BECAUSE WHAT HAS BEEN
SPOKEN, WHAT IS RESISTED DEFILED THE EXISTED, SO
SIN CAME TO EXIST!
7 BUT YOU ENDURE THE WORD YOU NOW KNOW,
LIKE YOU KNOW THE BACK OF YOUR FIST!
8 WHAT ELSE CAN DESCRIBE HIS WORD THAT YOU
ARE? 9 MANY THINGS IN HUMAN WORDS, BUT NOT
MANY HUMANS AS WORDS DESCRIBE YOU UP TO PAR.
10.. For they their own book that has been Spoken.
10 DEFINING who you are through what wisdom you
have gained.

Exact formulation of the general principle of Relativity (Page 24)

Exact formulation of the general principle of Relativity This is validated because your memories of all the good times before this point which seem to "haunt" you. Your spirit wants you to recall the good times by the "means" of the spirit, recalled in a good memory. It's trying to motivate the "life is too short" spirit by which you live now (resisting even the smaller things in life)and that tells you your only hope for happiness, is to live "now" (searching for ONLY the big and grand experiences) and "in the moment". Once again, what you practice is "seeing is believing", but can now be viewed as the mechanics to seeing parables. This is BECAUSE of your "willingness" this time, and through age and experience you are no longer ignorant of how to see something in a "new light" or different "Point of View". Your human nature now is in accordance to what motivates the spirit, therefore life becomes refreshing, the search for past emotions decreases and the present becomes a "gift" of timeless measure.
11 (167) TELL ME NOW, HOW WORDS HAVE A FEW
MEANINGS, THEN TELL ME HOW GOD'S WORDS, ARE
THAT WHICH HAVE MEANING. 2 THEN ANSWER
YOURSELF, AS THOUGH A BOOK ON A SHELF, "CAN IT
BE TRUE WHAT IS WITHIN OUR OWN PAGES, BE ME
WHO WE ARE AS WE UNDERSTAND A BOOK IN IT'S
CREATION STAGES?"
3 SO WHAT WE KNOW, AS WHO WE ARE, WE ARE
BECAUSE OF OUR MEANING.
4 KNOW THE ABSOLUTE TRUTH NOW, WE DID
NOT ENDURE LIFE TO HAVE LIMITS AND BEATINGS!
5 OUR WORD THAT IS WHO WE ARE, CAN BE
WRITTEN AND READ ALOUD JUST LIKE DESCRIBING OF
A THUNDERING CLOUD. 6 WE ARE A WORD THAT IS
LIVING, AND NOT A BOOK OF LIMITS AND RULES BOUND
AND WRITTEN DOWN.
7 WE HAVE BEEN SPOKEN TO GROW AND PLANT
"THE SEED" LET'S SEW SO WE SING,
"I was lost but now I'm Found,
Was blind but NOW I see".
8 NOTHING HELD BACK, ALL GO FORTH AND ON
TRACK!
11 The awareness to your ability and skills that are
newly conceptualized measured with common
understanding.

The solution of the problem of Gravitation on the Basis of the General Principle of Relativity. (Page 25)

The solution of the problem of Gravitation on the Basis of the General Principle of Relativity. Who we are is what we seem to know. We know God exists because we know that "Truth is Relative". Our environment from place to place can show us more about ourselves than if we were to stay in one area throughout the duration of living. We travel the world because we want to "relate" to something that we feel we're not. In almost all cases when we experience good moments, we find a part of ourselves "relative" to our differences on the other side of the world. This spirit by which we experienced is of God's Will. He made us in a way that makes us complete by seeing how our weakness is also are strength and evolving uses the power of the Spirit. With this in mind as to how an individual becomes strengthened, also shows the spirit by which it's motivated to be wholesome. In essence, parables stimulate for wholesome thinking, allowing our inspiration and Muse for creation to become the Spirit in which Gods Laws, (the Laws of Love) can ONLY apply. Resistance to see a parable through your experiences, other people's experiences and through what possibilities that can suit "in-likeness", defeats the purpose to our future potential. We know that putting limits on something as simple as the parable, limitations become the Spirit by which we endure life.
12 (118) LIKE THE WORDS IN A SONG, WE AS GOD'S
WORD MOVE ALONG, LIKE THE MELODY, HARMONY,
TIMBRE, METER, DYNAMICS, TEMPO, RHYTHM AND
INSTRUMENTS. 2 HE HAS READ THROUGH THE MUSE TO
HELP FROM PLACE TO PLACE,
"AMAZING GRACE HOW SWEET THE SOUND, THAT SAVED A SOUL LIKE ME-
3 ARE MORE THAN WORDS TO EXPRESS OR TASTE,
THE WORD HE SPOKE TO ME THROUGH SUCH A
PECULIAR AMAZING GRACE!
4 AS MY "THEMED" WORLD WAS TORN AND LIGHT
WAS THEN BORN, SO IT WAS AND IS WRITTEN, LIKE
THAT WHICH COMES FROM A FATHER! ~ 5 "AND THE
SPIRIT OF GOD HOVERED OVER THE FACE, OF
6 THE WATERS". ~Ographer Ocean Duran 5/6/2008 12 Finding God, or your higher being through a system
that validates all or part of your entirety. Acceptance
of your Spirit and Nature.
"N - Defining Word"

V. DEFIN'ocean: prACTice gulDe: Muse-ic mAPPlocation (Page 27)

This section, "DEFIN'ocean: prACTice gulDe: Muse-ic mAPPlocation", introduces a framework for understanding and organizing concepts, usin' musical terms and psychological principles. It's all about how we categorize and make sense of information.

Organizing (OrganEYES)

Organ - 4 combinational Procedures (music) 12 measures

7 SUBjects REPETITION VARIATION CONTRAST
MEDIA InsTRUmenTs Music theory basics Rhythm
Individual definitions
Third Day
Harmonizing differences
GENRE Timbre
Referencing definitive theory
Harmony
Relating formations
Fourth Day
Using relative nature to progress
FORM Dynamics
Utilizing harmonic progress to help in
measuring.
First Day
Defining the measure
relative to a variable.
Fifth Day
Communicating through theory and it's relative
nature
TEXTURE Melody
Overlapping templates of measure
Second Day
Relating various Measures
of scales.
Sixth Day
Compositions of like-minded variables

EYES - Basics studies to psychology 12 measures

7 SUBjects REPETITION VARIATION dia CONTRAST
MEDIA/Psychology as
a science
InsTRUmenTs
Psychology ref guide.
Rhythm
Human studies
Third Day
Mechanics of using systems
GENRE
/descriptive studies
Timbre
Different Personalities
Harmony
Self Acceptance
Fourth Day
Testing of observed situations adding
experiences Using systems
FORM/1, 2
definition-
corelational
TEXTURE/ 1,2
goals,
studies
Dynamics
Definition of different subjects
Melody
Tracking goals from one to the
First Day
Beginning of a matter
Second Day
Connecting variables to
Fifth Day
Relation within strengths
Sixth Day
Understanding proper teaching
experimentals next predict the next. techniques using student/teacher relation

ORGANIZE: organEYES

"2 forms to help show the psychological side to studying Ocean's "muse-ic" map. Organizing all of the matters at subject. Understanding how everything has it's place and every place has it's thing, we can see with this view of thinking the systematic approach we use in our lives everyday from work to school. Without organizational skills, we cannot understand the complexity of how the Muse and Inspiration work hand in hand. Organizing a formation with tables, days, numbers, principles, and other skills helps us realize how the next half reveals the mapping of what it means to "Organize Frequency". The breakdown of what it means to ORGANIZE (organEYES) you can begin to see lessons of understanding the MUSE and ways to practicing these tools. "organ" is your instrument "eyes" a perspective from what you see." (Page 27)

VI. FREQUENT - Albert Einstein's "Special" Theory of Relativity (Page 28-29)

This section, "FREQUENT - Albert Einstein's "Special" Theory of Relativity", delves into how we explain our individual "frequency" and how it relates to various fields, includin' science, religion, and different perspectives.

FREQUENT - Albert Einstein's "Special" Theory of Relativity 12 measures

7 SUBjects REPETITION VARIATION CONTRAST
MEDIA/ InsTRUmenTs Rhythm Third Day
Classical Mechanics Basics of measurements Scaling one variable as
greater/ less than others
Equations involving only space and time
to systematically prove something.
GENRE/ Timbre Harmony Fourth Day
Galilean system Relations of cause and effect Forcing environmental
behaviors
Relying on the physics of humanistic
nature.
FORM/ Dynamics First Day Fifth Day
geometric proposition ge Relating to proportion Defining measures Linking variables
TEXTURE/ Melody Second Day Sixth Day
System of co-ordinates Pairing relative variables in
progressive type order
Recognizing relativity. Proving evident theory with self-
generated modem.

"SEAS - Ocean's Studies (biblical context) 12 measures

7 SUBjects REPETITION VARIATION dia CONTRAST
MEDIA/trinity views InsTRUmenTs
Relativity involving creation
Rhythm
Biblical formation
Third Day
OceansOntology
GENRE/element, gift Timbre
Choreograph/ visualize
formation
Harmony
Relating uniform
formations
Fourth Day
Perceptions and views using relativity.
FORM/ Dynamics First Day Fifth Day
Equivalent
Fight, battle, adding
Progressing formation with
theoretical relation and studies
Finding equal natures in
various creativity
Communicating through different
formatted steps relative to creation.
TEXTURE/
understanding, lesson
Parables, likeness
Melody
Organizing variables by an
equal horizontal measure
Second Day
Utilizing templates as a
formation guide.
Sixth Day
Processing the Creative Muse as a
spiritual guide...

FREQUENCY: frEQuentSEAS

"2 forms to understanding the more "debatable" sides of why Ocean's "muse-ic" requires such extensive "pre-studying". This second half (like any other) compliments the first half. With skills to ORGANIZE (organEYES), we can then begin to back up our theories. This second half deals directly with our own individual FREQUENCY (frEQuentSEAS). We know our own MUSE and INSPIRATION, but do we really know how to explain the frequency so that other's might understand the procedure. ALL things are relative within Ocean's Muse-ical Map. This all relates to humanitarian studies as well as with Religion, Theories, Supernatural and different perspective's of view. "frEQuent" what we know and practice through repetition. "seas" the branching of how the "eyes" work in accordance to understanding perspective and views." (Page 28-29)

VII. DEFIN'ocean to WORD MVP (Pages 30-31)

This section, "DEFIN'ocean to WORD MVP", delves into the meaning of words, their origins, and how they define our understanding of God and creation. It's all about the power of language and its connection to divine truth.

Subjects at Hand: Explaining Tongue Language

subjects at hand.
Helping to
Xplain the
Tongue
Language
Oceans
Ography
NUmiracle
numbering
(scale
C G7 3cODe5 3 VIEWS
OceansOntology
beginning: the time or circumstances of something's
~coming into being
1. The genesis of this new project (30)
This
coNextion
~helps
To those
who are
more to
understand
of how
eboNics
are usED
N
urbanEYES
ED
cultures
HowEVEr,
these
terms are
more
gEARed to
the sounds
or spelling
of how
words
are usED.
EmPHa
PSYsing
actual
sound,
as to
sound a
word
orally
aloud,
for it's
USAGE
N letter
form.
X~pla nation
G relativity
(5) A hand
Parable (14)
(6) created
(7)
spelled
IS
seven
same (17)
(8)=ate
rhyming
WORD (13)
$9=3\times3$
(10) 2 hands
on
2. 1st book of Bible: the first book of the Bible, in which the
story of the creation of the world is told (29)
(2) ReMixed~
Likeness/parable (17)
Likeness/parable(17)
(3)~D'sea
3. study of word origins: the study of
22 Measure
parts of words and how they have
form and meaning (28)
(4)
1
on 1 (11)
the origins of words or
arrived at their current
4. history of a word: the origin of a word or part of a word,
or a statement of this and how it has arrived at its
current form and meaning. (27)
5. An etymology often shows the different forms the word
has taken in passing from one language to another, and
sometimes shows related words in other languages. (26)
6. The words have the same spelling but different
etymologies. (25)
Likeness/ parable (17)
7. MAPPING key to MUSE~ic KEYS in the formation of
geographical placement in words within many of the
creative arts. (24)
8. What I have written, through it's own Wisdomatic Force,
approach the age old question of ""Does God Exist"". All of my
relative views, completely backed with proper documentation,
utilize our own humanly process to show evidence of proof by
systems of progressive scientific processes. (23)
9. Creation has been around since God first Spoke it's
existence. This is what some believe to be true while others
don't believe the reality of conception. BECAUSE of my
personal experiences within these words, anyone can see
relation AS formation. To view educated plans as design within
the works themselves, parables are used for teaching while
God's Will proves formational force. (22)
Views and
side notes
relating to
the topics or
10. Through Faith and my own views of perception that I am able to see
how the Bible has this same format. At times, when I write, I would use
this format as more of an inspirational guide to find something to address
my own teachings. Because I always want to test a ""theory"" to prove an
answer, my writings seem to take on a more personal form. Like a template
of understanding the FORMATION; YOU, persona, creation, sorting theories,
relativity, truth, proof designs scholastic studies and OceansOntology,
Creation to be universally accepted as a ""likeness"" to thee Creator.
Experience and history is who you are! (21)

Genesis and Word Definitions (Page 31)

Genesis 11. RE-ply C# G7 3c0De5 organEYES frEQuentSEAS
SUBJECT 2
This book
describes
creation, the
first rebellious
against God,
and God's
choosing of
Abraham and
his family as
God's People -
(20)
12. word (19)
1. meaningful unit of language sounds: a meaningful sound or
combination of sounds that is a unit of language or its representation in a
text
2. brief utterance: a brief comment, announcement, discussion, or
conversation
Could I have a word with you in my office, please?
3. information: information or news about somebody or something
Is there any word on your daughter?
4. rumor: rumor or gossip
the Israelites The word is that she's leaving the company.
13. Word 5. promise: a promise, assurance, or guarantee
I give you my word.
6. command: a command, order, or authorization
He gave the word to attack.
7. password: a password or verbal signal
Don't let anyone in unless they give the word.
8. computing fixed number of processed bits: a number of bits, for
example, 32, 48, or 64, processed as a single unit by a computer
npl or words
1. angry talk: angry or quarrelsome speech
had words with him over the shoddy merchandise he sold us
2. music text of song: the text or lyrics of a song, musical, or opera
vt (past word ed, past participle word ed, present participle word ing, 3rd
person present singular words)
phrase something: to express something in words
1. divine reason: in Christian theology, the divine rational principle as epitomized
(18) by Jesus Christ
2. or Word or Word of God Christian holy scriptures: in Christianity, the Bible or
Scriptures, considered as revealing divine truth

VIII. Modus Vivendi MVP APPLOCATIONS (Pages 53-54)

This section, "Modus Vivendi MVP APPLOCATIONS", introduces the concept of "Modus Vivendi" as a practical arrangement for coexistence, connectin' it to various fields like phonetics, kinetics, and architecture. It's all about findin' a way to live and create in harmony.

Modus Vivendi Pitch

Sound Relation to "Sound" Doctrine (Page 54)

Reply:
$[C9=B3\times A3]$ C9
G7 3c0De5 SUBject 10 EQ =
ARK iTexture REmiX
Physics
7 SOUND GROUNDS - 2 OceansOntology
26. DEFIN'ocean to PHYSICS : SOUND (5)
study of
physical forces
and qualities:
the scientific
study of matter,
energy, force,
and motion,
and the way
they relate to
each other.
Metaphysics:
1. philosophy of
being: the branch
of philosophy
concerned with
the study of the
nature of being
and beings,
existence, time
and space, and
causality
2 underlying
principles: the
ultimate
underlying
principles or
theories that
form the basis of
a particular field
of knowledge
Symmetry is part
of the
metaphysics of
quantum
mechanics.
3. abstract
thinking: abstract
discussion or
thinking
A sound relation to the ""Sound"" Doctrine
The Theory of Muse-icality
v (past sound ed, past participle sound ed, present participle sound ing, 3rd person present singular
sounds)
1. vi seem: to give a particular impression when mentioned or described
The meal sounded awful.
2. vi indicate status: to give a particular impression about physical or mental condition via
speech or writing
He sounded exhausted when I talked to him on the phone.
3. vi have particular quality when heard: to give a particular impression to a hearer about the
quality of the noise or the identity of the source of the noise
That sounds like the mailman.
4. vti make a noise: to make a particular noise so as to be heard, or make something produce
such a noise
Somewhere down the corridor, an alarm sounded.
5. vt announce something: to spread the news of or signal something by making a noise, or
produce a similar effect by saying something
She sounded a note of caution about the likely result of the reorganization.
6. vt phonetics articulate the sound: to pronounce a specific letter or sound, especially in a
context in which it might be silent
You don't sound the ""p"" in ""psychic.""
edia
7. vt medicine test bodily condition by causing sound: to make an organ of the body emit a
sound for testing or diagnostic purposes
27.
DEFIN'ocean to METAPHYSICS: MODULATION (4)
*4 COMBINATIONAL OPERATIONS
& process of Modulating 2 Formalities
APPLocation
""parables""-Sound Doctrine,
Muse-ic Bible theory for ""relativity""
* MEDIA 1. adjustment of sound: adjustment of the tone, pitch, or volume of sound, or of
something that produces sound, for example, a musical instrument or the human voice
2. slight alteration: slight alteration that makes something less strong, forceful, or
* FORM
severe
3. physics process of modulating carrier wave: the process of changing the
* GENRE
amplitude or frequency of a wave, used in radio broadcasting to superimpose a sound signal on
a continuously transmitted carrier wave
*TEXTURE 4. conversion of sound into signals: used to describe a device that converts sound
into electrical signals or vice versa

IX. The Idea of ID Theory (Page 1)

Finally, we loop back to the beginnin' of the document, where the core idea of ID Theory is laid out. This section brings all the previous points together, culminatin' in the ultimate question of design.

The Idea of ID goal to Prove Design requires,

The Problems to ID theory...

"One difficulty is that intelligent causes can "mimic" law and chance, thereby rendering their actions indistinguishable from these unintelligent causes. It takes an intelligent cause to know an intelligent cause, but if we don't know enough, we'll miss it. The contrast of what is obvious to the nature of "intelligent design" for either the scientific explanation OR the instinctive human nature. Most scientists argue that the ID theory is merely a "scientific" theory that is not empirical to the natural scale for a "designed" plan. By that very nature, scientists are not able to "test" for a presence of design, nor can they disprove the presence of a design. In short, science and ID theory seem to only have foundations to argue ID theory as a philosophical endeavor." (Page 1)

Observations and Connections

"After the studying the contrasting attempts that Science, the ID theory, Darwin's Theory, Creationism, Evolution as well as other studies with inconclusive proof to existence I began to notice an overall pattern. Einstein theory of relativity, which was based off of other theories, would have seen the formula of "relativistic kinematics" (lengths and time intervals that appear different to observers moving relative to eachother)." (Page 1)

"From studying what these other theories had in retrospect to each other all seemingly had the same goal and motive that was relative to the goal. The mathematics and equations to prove practicing the acceleration of motive and the velocity of the subject seemed to even take on it's own inertia in the opposing direction." (Page 1)

"These observations of how and why the formulations that these groups are soo intelligent and well versed at what they do truly show that proving a "higher" Entitiy, known as God, (the God of Love and Creation written about within the pages of the Bible) can only be seen through the Spirit's eye of simplicity and creative muse that our human nature of feelings and instincts can only prove BY way of this Spiritual eye." (Page 1)

"Knowing what Faith is, and holding on to it firmly while seeing how science and theory can't even explain how human feelings of our emotional nature exist. As we know the phrase of "it takes one to know one" conceptualizes our preconcieved notions on many levels, proving our existence through a system designed with numbers, technology, tests, chemical engineering and metaphysics in comparison to chimps and other lower forms of life like a single celled organism is more than enough reason to see why it's hard to comprehend the power of God and creating man in His image." (Page 1)